Olde Piano roll please. THE GRAND BUDAPEST HOTEL is a self indulgent, quirky extravaganza teetering on the cusp of becoming a silent era soap opera for the senile. Unfortunately sound is available and used infinitely to elaborate through near constant voice overs reporting what is obvious, foretelling what further abuse the characters and viewers will be thrust upon. Continue reading
Stop! Do not rent RoboCop, or even view it for free. Take away all the charm of the original ROBOCOP. All the quirky roles. Throw away a great performance from Peter Weller. Get rid of Weller’s fantastic voice skills and ingenious physical presence. Add a low level director in place of Paul Verhoeven, then sprinkle a few totally forgettable antagonists. And you have the most lackluster remake seen in many years. Ta da, magic, I mean disaster! Continue reading
Jonathan Glazer’s UNDER THE SKIN starring the alluring Scarlett Johansson skins the sci-fi alien movie genre to it’s barest bones. Rendering an alien’s experience of humanity in the shearing light of quiet examination and inexplicable sombre purpose. Continue reading
ENEMY is an ambitious, artful journey through the torn mind of Adam Bell (Jake Gyllenhaal), a solitary college history professor or is it the mind of Anthony an aggressive sexual predator.
THE SECRET LIFE OF WALTER MITTY is Ben Stiller’s struggle to reinvent himself. Desperately dog paddling away from his miniature Stallone and Tom Cruise imitations in poorly drafted satires. Tropic Thunder was Stiller’s last half way success. Thanks to the poignant casting of Robert Downey Jr. in black face, a radical idea. Still the movie stalled when Stiller’s over acting and parodies failed to amuse. The writing was on the wall, evolve or see yourself crash and emplode. Walter Mitty is Stiller’s best attempt at elevating his acting, directing and career.
Welcome to another Sylvester Stallone debacle, HOMEFRONT. It looks like Stallone has managed to handcuff his EXPENDABLES co-star Jason Statham into one of his terrible expendable cliched movie scripts. And to add poison the icing on this fruit cake, Stallone directs, this predictable post mortem story that raises from the grave every sad banal movie trick. Like a retired magician pulling too many rabbits out of his weathered hat.
So terrible. So useless a mishmash of CGI, bad script and flat acting, that I regret the 50 cents I spent on it at RedBox. I could have bought a donut. I could have taken the two quarters and buried them in the dirt. I would have had a more entertaining time watching the coins never bear fruit than the terrible confusing travesty of this film. The cast is pathetic. Aaron Eckhart is lost as I am bewildered as to what bizarre chain of events lead him to this empty wrestling CGI acrobatic acting abortion thrown against the ropes, falling sweaty to the mat over and over. Until you’re forced to stop your pain and press STOP. Continue reading